Thursday, July 22, 2010


How bad is this movie...even the lead actress, Dorothy LeMay, has been quoted as saying; "She ran out of the theater crying after seeing her first film A Formal Faucett, she felt that it was a "disaster" because her voice was dubbed over with someone else's, and it "didn't make sense". She had worked on A Formal Faucett 18 hours a day for three days. The experience bothered her so much that she considered getting out of the business.

The idea for the movie and the fact that Dorothy LeMay was cast in the lead role was because she was supposed to be a lookalike for Farrah Fawcett. Below are photos of Dorothy and Farrah - I guess I could make some snide remark here, but I'll let you be the judge...maybe my eyesight is too good!!

As for the movie not making any sense, I'll have to agree with Dorothy there. The movie appears that it is going to be a spoof of Charlie's Angels: A Formal Faucett has a mysterious voice on the phone (Paul Thomas) giving call girls their assignments....yes, that's correct...not spy assignments....sexual liaisons assignments. And that's as close to anything resembling Charlie's Angels that you are going to see in this movie.

Here are the only notes I made when I watched A Formal Faucett: All the actors seem to be very uninspired. The lead actress is one of the worst porn actresses I have ever seen. Her only acting ability is rolling her eyes back in her head...actually it got to be funny watching her do this after a while. Thankfully, the movie is very short.

Ms. Lemay had done some loops previous to her appearance in this, her first feature film. I understand that she is lauded for some of her future work, none of which I have seen, and that she was even inducted into the AVN Hall of Fame in 1998. So, I'm guessing Dorothy improved after this first feature. As it is, considering what she thought of the movie, I don't think she would argue with my grade of F

A Formal Faucett starring Dorothy LeMay, Desiree Cousteau, Laurie Blue, Norma Jean, Guy Austin, Tina Austin, Paul Thomas and directed by Fred Lincoln

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