Wednesday, August 17, 2011


L.A. Unforgiven starring Julie Meadows, Evan Stone, Herschel Savage, Chris Cannon, Tina Cheri, Michael J. Cox, Ryan Conner, Cheyanne, Sammie and directed by Francios Clousot

The Plot: L.A. Unforgiven takes its basic plot from Chinatown - a private detective is hired to snoop on a local big time realty developer by who he is led to believe is the developer's wife. He finds the husband cheating and leaks this news to the local newspaper causing a big scandal. Then, the real wife shows up and threatens to sue the private detective.

: L.A. Unforgiven had an odd mixture of 40's noir combined with the year 2000 (when the movie was filmed). Some of the sets and costuming were more in line with the 40s, while at the same time there were outside shots of modern Los Angeles and current day automobiles. The plot was more 40's driven than modern day, since really who's getting all that upset today about a real estate developer having an affair....besides his wife. The male actors had the right suits and hats, but sported pony tails. The females in the movie had good looking 4o's style dresses, but also had bad implants and stripper shoes right out of the late 90's/early 2000's. Even with all of the above stated differences, the director, Francios Clousot, was able to make the story work by having his actor/performers be believable in their roles and never mentioning when the movie was occurring.

None of the acting was outstanding enough to be mentioned, but then again, no one was bad enough to be singled out either. Most of the sex scenes were placed logically into the plot with only one scene having such a quick set-up to appear forced into the storyline. On a side note, the sex scenes weren't mind-numbing long, only running around fifteen minutes.

Francios Clousot does a lot of cinematography for other XXX movies and in L.A. Unforgiven he has some deft camera work throughout the movie involving shadows, definitely a nod to 40's black and white noir, where shadows were an integral part of the film. After watching this movie, I think if someone gave Francious Clousot some serious cash to do a XXX feature, he could really deliver the goods. I give L.A. Unforgiven a B+

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